The top of the iconic mountain the Matterhorn literally forms the central part of the work Vanishing Point. Photographed from a viewing platform, with the mountaintop positioned in the perspectival middle of the viewfinder, the very small part consisting of the very top itself has been cut out and enlarged to a point where the image is on the threshold of recognizable. Attempting to see the furthest away in this inaccessible part of the landscape as well as in its reproduction -the photograph - the subject becomes what is seen. Here I am interested in the recorded indexical information versus the interpolated information added by the digital process - as it is programmed to attempt to fill in the gaps where information is absent. Also, the experience of the image depends on the distance to it. This makes it impossible to look closely at the image, as what was depicted then dissolves.